AFC Micro Salon – Screenings
The 2019 AFC Micro Salon, which will take place from 8-9 February, will feature a programme of screenings, rendez-vous, workshops and meeting at various times throughout the day. Below, please find a detailed schedule of who is presenting and what is being presented.
Friday 8 February
| Schedule | Presented By | Title |
|---|---|---|
| 11:00–12:30 | AFC | Netflix Event ; guest : Jimmy Fusil – Netflix Technical Director, with Céline Bozon, AFC, Jean-François Hensgens, AFC, SBC – Moderated by François Reumont |
| 12:30–13:00 | AFC | Trailer : Lens Tests, by Caroline Champetier, AFC, and Pascal Lagriffoul, AFC |
| 13:00–13:30 | BE4POST | Dailycious, watching dailies and their metadata on your tablet, by Matthieu Straub and François Dupuy (Noir Lumière) |
| 13:30–14:00 | Lunch Break | |
| 14:00–15:00 | AFSI | 1) Cinela : Rumble : Problem and current solutions, by Philippe Chenevez 2) Sennheiser : The technological issues involving digital HF links - Launch of SK6212, by Axel Brisard |
| 15:00–15:30 | PANAVISION | Wide Format and Anamorphic Lenses, by Pierre-Hugues Galien, AFC, Patrick Leplat and Philippe Valognes |
| 15:30–16:00 | TSF | Innovative Grip Equipment, by Danys Bruyère |
| 16:00–17:00 | ARRI – RVZ | 1) Images Shot with Arri Signature Primes, by David Ungaro, AFC, Matias Boucard, AFC, Stéphane Massis, AFC
, with Thorsten Maywald, Arri Product Manager
2) Images Shot with Cooke Large Format Anamorphics, by Marie Spencer, AFC, SBC |
| 17:00–17:30 | SONY | Sony CineAlta Venice : Donne-moi des ailes, a film by Nicolas Vanier – Cinematography by Éric Guichard, AFC KeyLight + Demosaicing, by Aude Humblet and Thierry Beaumel |
| 17:30–18:00 | HD-SYSTEMS | “Light Ranger 2 Wide” – A focus pulling tool by Preston Cinema , with Howard Preston |
Saturday 9 February
| 10:30–11:00 | BE4POST | Dailycious, watching dailies and their metadata on your tablet, by Matthieu Straub and François Dupuy (Noir Lumière) |
| 11:00–12:00 | AFSI | 1) VDB Audio : Workshop – Solution for placing wireless microphones,
by Simon Bysshe – URSA Straps 2) AFSI : New digital wireless microphones , by Pierre-Antoine Coutant, Xavier Dreyfus and Vincent Magnier |
| 12:00–12:30 | CANON | Canon C200 Camera for filming "Un conte merveilleux", a film by Virginie Kahn – Cinematography by Robert Alazraki, AFC |
| 12:30–13:00 | TSF | Innovative Grip Equipment, by Danys Bruyère |
| 13:00–13:30 | PANAVISION | Wide Format and Anamorphic Lenses, by Pierre-Hugues Galien, AFC, Patrick Leplat and Philippe Valognes |
| 13:30–14:00 | SONY | Sony CineAlta Venice : Notre Dame du Nil, a film by Atiq Rahimi - Cinematography by Thierry Arbogast, AFC – DIT Karine Feuillard – 4K XOCN |
| 14:00–15:00 | ARRI-RVZ | 1) Images Shot with Arri Signature Primes
, by David Ungaro, AFC, Matias Boucard, AFC, Stéphane Massis, AFC, with Thorsten Maywald, Arri Product Manager 2) Images Shot with Cooke Large Format Anamorphics, by Marie Spencer, AFC, SBC |
| 15:00–16:30 | AFC | Rendez-Vous : Evolution of the working relationship between producer and cinematographer in the digital era : The British Experience . With Chris Menges, BSC, ASC – Oona Menges – cinematographer, Iain Smith, OBE and Zachary Wesckstein, producers, hosted by Ronny Prince (editor-in-chief of British Cinematographer Magazine) |
| 16:30–17:00 | PANASONIC | Aïlo, an Odyssey in Laponia – Experience with the VariCam – EVA1 and GH5 Film, by G. Maidatchevsky – Cinematography by Dan Meyer – Colour Grading by Fabien Napoli |
| 17:00–17:3 | AFC | Trailer : Lens Tests, by Caroline Champetier, AFC, and Pascal Lagriffoul, AFC |
